“and a cheery turn from baritone Patrick Jacobs as the Prince's valet. (His character's droll asides were a highlight.)"
La Cenerentola, Fresno Grand Opera
The Fresno Bee
Fresno, CA
1/23/2007

"Jacobs and Golliver bring some grand touches of physical humor to their duet, “Welcome Joy, Adieu to Sadness,” as they reveal the roiling passions beneath their proper facades.”
The Sorcerer, Light Opera Oklahoma
The Tulsa World
Tulsa, OK
11/13/2006

"... in the baritone solos -- a brief turn during "Et resurrexit" and the aria "Et in Spiritum Sanctum Dominum" -- Jacobs sang with power and confidence."
Tulsa World
Tulsa, Oklahoma
11/21/2005

"Typical of the genre, 'The Merry Widow' has a large cast, and the New Orleans Opera chose well by giving many supporting roles to talented local singers. Of these, Patrick Jacobs of Mandeville is worthy of special mention."
The Times Picayune
New Orleans, Louisiana
4/16/2005

“(Falke) is sung by Patrick Jacobs...with a smooth baritone
and a special talent for shifting from comedy to darker mischief.”
The St. Bernard Voice
Chalmette, Louisiana
1/25/02

“Baritone Patrick Jacobs' voice is a major one in the making.
His Morales was well sung and acted.”
The Advocate
Baton Rouge, Louisiana
10/14/00

“With appealing stage presence and strikingly handsome features,
Patrick Jacobs played Count Almaviva with flair.”
The Times Picayune
New Orleans, Louisiana
5/23/98

“Baritone Patrick Jacobs offered a strong, bright voice”
The Times Picayune
New Orleans, Louisiana
5/3/97

“Jacobs...is hilarious and nearly steals the show.”
The Student Printz
Hattiesburg, Mississippi
2/24/94